The Lady and the Unicorn
Sunday, March 8, 2009 by Billy
The Lady and the Unicorn — To my only desire. Cluny Museum of Middle Ages, Paris. |
The Hôtel de Cluny, in the Quartier Latin (the Latin Quarter) in Paris, was built in the 14th and 15th century. It is a beautiful structure that combines Gothic and Renaissance architecture. It is worth seeing as a building then, yet essentially it is the French Museum of the Middle-Ages. It houses many early Medieval sculptures, wonderful illuminated manuscript, and an important tapestry collection, that includes one of the greatest works of art of the whole Middle Ages, the famous series of tapestries named 'La dame à la licorne' — 'The Lady and the Unicorn'.
Taste (detail) Click for the whole image |
The Lady and the Unicorn by John Renbourn |
I went there again yesterday, for the tenth time maybe, because they have just opened new rooms to the public, dedicated to art and life in the Middle-Ages. Also, I wanted to see the red tapestries again, a few months after I went to the Cloisters in New-York and watched the green series of Unicorn tapestries they hold there [This series was the topic of the last blog I published on Yahoo. I might post an emended version of it here some day].
Sight (detail, click) |
Both series are dated back to the 15th century. They are so-called 'Tapisseries mille fleurs' ('Thousand flowers tapestries'), named that way because they contain thousands of details, flowers and small animals especially.
While the Unicorn is the main character of the green tapestries held in New-York, that tell the story of the Hunt of the Unicorn, the Lady is the centre of the red tapestries displayed in Cluny Museum. My eyes this morning remain filled with visions of the beautiful, enigmatic Lady.
Touch (detail, click) |
Smell (detail, click) |
Hearing (detail, click) |
Nobody knows for sure what this tapestry means. I have the feeling that the Lady has experienced many things in her life already, using her five senses, and she has reached the end of this path now.
The wise, beautiful Lady, might have decided to renounce pleasures of the world. Or she knows she will pass soon perhaps. Whatever the reason, she now leaves her jewels forever, as a symbol of her physical life, before she enters the tent, as a symbol of her inner spirituality, a convent, or the Other World.
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